{"id":2868,"date":"2018-03-19T07:04:08","date_gmt":"2018-03-19T10:04:08","guid":{"rendered":"http:\/\/www.eayrs.com\/blog\/?p=2868"},"modified":"2018-03-21T10:55:19","modified_gmt":"2018-03-21T13:55:19","slug":"2868","status":"publish","type":"post","link":"https:\/\/www.eayrs.com\/blog\/archives\/2868","title":{"rendered":"Farewell Angelina"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2869\" src=\"https:\/\/www.eayrs.com\/blog\/wp-content\/uploads\/2018\/03\/farewell-angelina.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.eayrs.com\/blog\/wp-content\/uploads\/2018\/03\/farewell-angelina.jpg 1024w, https:\/\/www.eayrs.com\/blog\/wp-content\/uploads\/2018\/03\/farewell-angelina-768x768.jpg 768w, https:\/\/www.eayrs.com\/blog\/wp-content\/uploads\/2018\/03\/farewell-angelina-300x300.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>I first heard this album in 1965, when I was just 17 and living on the beach in M\u00e1laga. It was an exciting time for me, a time of discovery; sex, drugs and \u2026 well not exactly rock and roll, not just yet, but certainly folk and blues. And a bit of flamenco. It was in every sense of the word a formative time for me.<\/p>\n<p>The title song is an outtake from &#8216;Bringing it all Back Home&#8217;, that bridge between the folk Dylan was leaving and the electrification that was to come with &#8216;Highway 61 Revisited&#8217;. I like Dylan&#8217;s version (he only recorded it once and it&#8217;s hard to find) but I like Joan Baez&#8217;s version more, I think \u2013 it has a clarity and purity that sends me right back to the beach at Pedregalejo whenever I hear it. Although thinking about it, I reckon the old record player we had access too was more than a bit crackly and degraded \u2013 my memories are probably better than the reality. Pedregalejo has changed beyond recognition too.<\/p>\n<p>There are a couple of other Dylan songs on the album\u2013 &#8216; Daddy, You Been On My Mind&#8217;, &#8216; A Hard Rain&#8217;s A-Gonna Fall&#8217; and &#8216;It&#8217;s All Over Now, Baby Blue&#8217; \u2013 on both of which Baez has managed to stamp something of herself. Guthrie and Donovan too (she hadn&#8217;t started recording her own songs yet) and some less well known international songs. She also reaches back into the folk tradition with &#8216;Wild Mountain Thyme&#8217; (titled here &#8216;Will you Go, Laddie, Go?&#8217;), the closing song at so many folk clubs I have known.<\/p>\n<p>Musically, on this album Baez was doing what Dylan was doing, what Les Cousins was doing at this time: moving from the acoustic interpretation of folk music (and she was a superb finger-picking guitarist) to an electrified world. &nbsp;On this album she was accompanied for the first time by session musician Bruce Langhorne&#8217;s electric guitar; rather subdued here, but less restrained on Dylan&#8217;s on &#8216;The Freewheelin&#8217; Bob Dylan&#8217; and &#8216;Bringing It All Back Home&#8217;. BTW, Langhorne was the template for &#8216;Mr Tambourine Man&#8217; insofar as he used to wander around Greenwich Village carrying a Turkish Drum with bells; he played on that track too.<\/p>\n<p>Anyway, this is still for me an album with resonance and I am listening to it as I type these notes. More albums to follow.<\/p>\n<p>TRACK LIST<br \/>\nFarewell, Angelina<br \/>\nDaddy, You Been On My Mind<br \/>\nIt&#8217;s All Over Now, Baby Blue<br \/>\nWill You Go, Laddie, Go<br \/>\nRanger&#8217;s Command<br \/>\nColours<br \/>\nSatisfied Mind<br \/>\nThe River In The Pines<br \/>\nPauvre Ruteboeuf<br \/>\nSagt Mir Wo Die Blumen Sind<br \/>\nA Hard Rain&#8217;s A-Gonna Fall<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I first heard this album in 1965, when I was just 17 and living on the beach in M\u00e1laga. It was an exciting time for me, a time of discovery; sex, drugs and \u2026 well not exactly rock and roll, &hellip; <a href=\"https:\/\/www.eayrs.com\/blog\/archives\/2868\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2868","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/posts\/2868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/comments?post=2868"}],"version-history":[{"count":3,"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/posts\/2868\/revisions"}],"predecessor-version":[{"id":2875,"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/posts\/2868\/revisions\/2875"}],"wp:attachment":[{"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/media?parent=2868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/categories?post=2868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eayrs.com\/blog\/wp-json\/wp\/v2\/tags?post=2868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}